The opera focuses on a young member of an order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling.

Frequently Asked Questions

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The opera focuses on a young member of an order of Carmelite nuns, the aristocratic Blanche de la Force, who must overcome a pathological timidity in order to answer her life’s calling.

Canadian baritone Jean-François Lapointe makes his Met debut as Marquis de la Force, a role he has previously sung at Dutch National Opera. Recent performances include Hérode in Massenet’s Hérodiade and Rodrigo in Verdi’s Don Carlo at Marseilles Opera and Valentin in Gounod’s Faust and the title role of Rossini’s Guillaume Tell at the Grand Théâtre de Genève. This season he sings Ford in Verdi’s Falstaff at Opéra de Monte-Carlo, Golaud in Debussy’s Pélleas et Mélisande at Opéra National du Rhin, and Thésée in Rameau’s Hippolyte et Aricie at Théâtre des Champs-Elysées in Paris.

The cast for Dialogues des Carmélites includes Isabel Leonard as Blanche de la Force, Adrianne Pieczonka as Mme. Lidoine, Erin Morley as Constance, Karen Cargill as Mère Marie, Karita Mattila as Mme. de Croissy, and David Portillo as the Chevalier de la Force. Met Music Director Yannick Nézet-Séguin conducts.

We are proud to welcome all types of concerts to our stage.  Occasionally during a performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not enforce a “must-sit” policy at concerts. For most concerts this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.

We do not have a “no standing” policy and, in most situations, will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.

Processing and convenience fees are standard in the performing arts industry, but since the Capitol Center for the Arts handles ticket sales independently, our fees are much lower than the average fee you’ll find with theatres using third party ticketing companies. A variable per ticket convenience fee will be added to every order purchased online or by phone. You are not charged this per ticket fee when purchasing in person at the Box Office. These fees help to cover the cost of operating the theatre, as well as administrative and box office staffing, credit card fees charged by merchant services, ticketing software, 24/7 ordering via our website, postage, computer and telephone systems, utilities and supplies.

Refunds or exchanges are not permitted for any tickets purchased unless the show cancels. Please do not purchase a ticket unless you are sure that you can attend.  Members of the Capitol Center for the Arts may exchange tickets for credit toward future events.  Tickets must be presented to the box office during business hours at least 24 hours prior to the event. Tickets that are part of a VIP, Meet and Greet, or group/subscription discount package may not be eligible for ticket insurance.

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