The ‘Sad Clown with the Golden Voice’ is back, with his heartfelt anthems and a suitcase full of Kleenex! This Pity Party is not all sadness and longing. The show is peppered with a brilliant sense of the absurd, mixing lots of humor with the awkward, tender moments.
A veritable “Pagliacci by way of Pee-Wee Herman and David Lynch” (The AJC), Puddles Pity Party has 305k fans on Facebook and over 120 million views on YouTube for indelible interpretations of classics by ABBA, Bowie, Cheap Trick and Queen and his unforgettable mash-up of “Pinball Wizard/Folsom Prison Blues”.
You may recognize him from his recent appearances on America’s Got Talent and viral video collaborations with Postmodern Jukebox. Puddles has toured extensively in the US at legendary venues like the Palace of Fine Arts in San Francisco, the Kennedy Center in D.C. and the Troubadour in Los Angeles. He has also performed many times in the UK at Soho Theatre London and the Edinburgh Fringe Festival. Other worldwide festival appearances include the Adelaide Fringe Festival, Perth Fringe World, Melbourne International Comedy Fest, Just for Laughs Montreal, Belgium’s Gent Festival, Festival Supreme (LA), Bumbershoot Festival (Seattle), Moontower Comedy Festival (Austin), and Bethlehem’s MusikFest.
“It seems like a parody. But when Puddles opens his mouth to sing, it’s beautiful. Operatic.”
- The Boston Globe
“Fantastically brilliant…originality at its best.”
– Simon Cowell
“His special effect is a textured voice laced with melancholy…what makes him transcend the trope is his vulnerability.”
- The New York Times
“Clever and often hysterically funny… (Puddles) is ideally suited to songs popularized by belters old and new like Tom Jones, Sia and Celine Dion, all of which he performs with tear-jerking bravura…”
- LA Weekly
“Few things in this world happier’n a sad clown that sings like a mellow-tone angel.”
– The Austin Chronicle
“Pagliacci by way of Pee-Wee Herman and David Lynch.”
– The Atlanta Journal Constitution
We are proud to welcome all types of concerts to our stage. Occasionally during a performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not enforce a “must-sit” policy at concerts. For most concerts this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.
We do not have a “no standing” policy and, in most situations, will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.
Processing and convenience fees are standard in the performing arts industry, but since the Capitol Center for the Arts handles ticket sales independently, our fees are much lower than the average fee you’ll find with theatres using third party ticketing companies. A variable per ticket convenience fee will be added to every order purchased online or by phone. You are not charged this per ticket fee when purchasing in person at the Box Office. These fees help to cover the cost of operating the theatre, as well as administrative and box office staffing, credit card fees charged by merchant services, ticketing software, 24/7 ordering via our website, postage, computer and telephone systems, utilities and supplies.
Refunds or exchanges are not permitted for any tickets purchased unless the show cancels. Please do not purchase a ticket unless you are sure that you can attend. Members of the Capitol Center for the Arts may exchange tickets for credit toward future events. Tickets must be presented to the box office during business hours at least 24 hours prior to the event. Tickets that are part of a VIP, Meet and Greet, or group/subscription discount package may not be eligible for ticket insurance.