The King’s Singers are determined to spread the joy of ensemble singing. The world may have changed a lot in the fifty years since the original King’s Singers came together, but today’s group still wants to radiate the joy singing brings every day.

The King’s Singers were officially born on May 1st 1968, formed by six recently-graduated choral scholars from King’s College, Cambridge. Their vocal line-up was (by chance) two countertenors, a tenor, two baritones and a bass, and the group has never wavered from this formation since.
What really distinguished the group in its early years was its musical diversity. The King’s Singers were a weekly fixture on prime-time television, celebrating popular music never usually touched by choral ensembles, and their unique British charm, combined with their musical craft, captured audiences’ hearts the world over. The group has consistently been welcomed on the world’s great stages throughout its history – from London’s Royal Albert Hall to the Opera House in Sydney or New York’s Carnegie Hall – as well as being ambassadors for musical excellence at numerous significant global events. Two Grammy® Awards, an Emmy® Award, and a place in Gramophone magazine’s inaugural Hall of Fame sit among the numerous accolades bestowed upon the group.
This love of diversity has always fueled The King’s Singers’ commitment to creating new music. A panoply of commissioned works by many of the supreme composers of our times sits alongside countless bespoke arrangements in the group’s extensive repertoire. The group is determined to spread the joy of ensemble singing, and leads workshops and residential courses all over the world each season.
The world may have changed a lot in the fifty years since the original King’s Singers came together, but today’s group is still charged by the same lifeblood – one that wants to radiate the joy singing brings every day, and to give life to audiences with their virtuosity and vision for an exciting musical future.

We are proud to welcome all types of concerts to our stage.  Occasionally during a performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not enforce a “must-sit” policy at concerts. For most concerts this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.

We do not have a “no standing” policy and, in most situations, will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.

Processing and convenience fees are standard in the performing arts industry, but since the Capitol Center for the Arts handles ticket sales independently, our fees are much lower than the average fee you’ll find with theatres using third party ticketing companies. A variable per ticket convenience fee will be added to every order purchased online or by phone. You are not charged this per ticket fee when purchasing in person at the Box Office. These fees help to cover the cost of operating the theatre, as well as administrative and box office staffing, credit card fees charged by merchant services, ticketing software, 24/7 ordering via our website, postage, computer and telephone systems, utilities and supplies.

Refunds or exchanges are not permitted for any tickets purchased unless the show cancels. Please do not purchase a ticket unless you are sure that you can attend.  Members of the Capitol Center for the Arts may exchange tickets for credit toward future events.  Tickets must be presented to the box office during business hours at least 24 hours prior to the event. Tickets that are part of a VIP, Meet and Greet, or group/subscription discount package may not be eligible for ticket insurance.