The Suitcase Junket is Matt Lorenz: artist, tinkerer, swamp yankee, one-man band. His is the road-worn voice rising over the grind of a tube-amped dumpster guitar, and the wild double pitches of throat singing.
Frequently Asked Questions
The latest album from The Suitcase Junket, “Mean Dog, Trampoline” is populated by characters in various states of reverie: leaning on jukeboxes, loitering on dance floors, lying on the bottoms of empty swimming pools in the sun. Despite being deeply attuned to the chaos of the world, singer/songwriter/ multi-instrumentalist Matt Lorenz imbues those moments with joyful wonder, an endless infatuation with life’s most subtle mysteries. And as its songs alight on everything from Joan Jett to moonshine to runaway kites, Mean Dog, Trampoline makes an undeniable case for infinite curiosity as a potent antidote to jadedness and despair.Produced by Steve Berlin (Jackie Greene, Rickie Lee Jones, Leo Kottke) of Los Lobos, “Mean Dog, Trampoline” marks a deliberate departure from the self-recorded, homespun approach of The Suitcase Junket’s previous efforts. In creating the album, Lorenz pulled from a fantastically patchwork sonic palette, shaping his songs with elements of jangly folk, fuzzed-out blues, oddly textured psych-rock. Engineered by Justin Pizzoferrato (Dinosaur Jr., Speedy Ortiz) and mixed by Vance Powell (Jack White, Houndmouth), “Mean Dog, Trampoline” rightly preserves The Suitcase Junket’s unkempt vitality, but ultimately emerges as his most powerfully direct album so far.”I’ve been blessed in my career as a producer to have worked with some remarkable artists, but I have never worked with anyone quite like Matt Lorenz / The Suitcase Junket. Besides making the complexity of everything he does look effortless, he’s a truly gifted singer and and amazing songwriter. We had a blast making this record and I’m anxious to share it with the world.”- Steve Berlin
We are proud to welcome all types of concerts to our stage. Occasionally during a performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not enforce a “must-sit” policy at concerts. For most concerts this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.
We do not have a “no standing” policy and, in most situations, will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.
Processing and convenience fees are standard in the performing arts industry, but since the Capitol Center for the Arts handles ticket sales independently, our fees are much lower than the average fee you’ll find with theatres using third party ticketing companies. A variable per ticket convenience fee will be added to every order purchased online or by phone. You are not charged this per ticket fee when purchasing in person at the Box Office. These fees help to cover the cost of operating the theatre, as well as administrative and box office staffing, credit card fees charged by merchant services, ticketing software, 24/7 ordering via our website, postage, computer and telephone systems, utilities and supplies.
Refunds or exchanges are not permitted for any tickets purchased unless the show cancels. Please do not purchase a ticket unless you are sure that you can attend. Members of the Capitol Center for the Arts may exchange tickets for credit toward future events. Tickets must be presented to the box office during business hours at least 24 hours prior to the event. Tickets that are part of a VIP, Meet and Greet, or group/subscription discount package may not be eligible for ticket insurance.