At age 23, Veronica Swift is now being recognized around the country as one of the top young jazz singers on the scene.
In the fall of 2015, she won second place at the prestigious Thelonious Monk Jazz Competition. In 2016 she was asked to perform a concert of her own at the Tribeca Performing Arts Center in New York City and she was a guest artist with Michael Feinstein at Jazz at Lincoln Center with the Tedd Firth Big Band and Marilyn Maye and Freda Payne. Veronica’s first appearance at Jazz at Lincoln Center was at age 11 when she performed at the “Women in Jazz” series at Dizzy’s Club Coca-Cola.
In the summer of 2016 she headlined at the Telluride Jazz Festival, her 10th appearance there – but her first as a headliner. She first appeared there at age 10 with Dave Adams’ Young Razzcals Jazz Project and the great saxophonist Richie Cole and later she sang a duet with the featured artist, Paquito d’Rivera.
Veronica finished her undergraduate degree (BM in Jazz Voice) at the Frost School of Music at the University of Miami in December 2016, where she was a full scholarship student. It was after that that she moved to New York City, where she was almost immediately started performing every Saturday night at the legendary Birdland Jazz Club, a gig she continues to maintain when she isn’t on the road.
Veronica has been on tour with her parents, renowned jazz pianist Hod O’Brien and celebrated jazz singer and educator/author Stephanie Nakasian. She has appeared on stage with Jon Hendricks, Annie Ross, Esperanza Spalding, Joe Lovano, Bob Dorough, Kim Nazarian, Danilo Perez, and others. With her family she has appeared at The Great Waters Music Festival in NH, Blues Alley Jazz Club in DC, the Jazz Standard in NYC, the Jazz Cruise, and for the New Jersey and Hilton Head Jazz Societies.
Veronica recorded two CDs as a child – one at age 9 with Richie Cole and her father’s rhythm section and her mother, and one at age 13 with saxophonist Harry Allen. Her latest recording project “Lonely Woman” out this year features some of the hottest young jazz players on the scene including Emmet Cohen, Benny Bennack III, Daryl Johns (with whom she shared the Grammy Choir/Band experience), Matt Wigler, and Scott Lowrie.
In addition to performing the Great American Songbook and Bebop and Vocalese classics, Veronica is also a passionate devotee of 20s and 30s music and has sung with Vince Giordano, Terry Waldo, and Drew Nugent.
Veronica will record her next album for release this year, which will feature the great pianist Benny Green and his trio.
ABOUT THE WILLIAM H. GILE TRUST CONCERT SERIES
The William H. Gile Trust was created by Helen B. Gile in 1952. She left a legacy of more than $700,000 to finance a free concert series in Concord, New Hampshire in memory of her father, William H. Gile. Helen Gile stipulated that the trust funds were to be managed by what is now Citizens Bank, and that the selection of shows “of the highest type in all respects” was to be made by a committee of three local citizens.
After much planning, the first William H. Gile Concert Series was held during the 1960-61 show season, and, over 55 years later, we are happy to now call the Capitol Center for the Arts our home.
The Selection Committee strives to present a diverse offering of performance types, to include some shows that are suitable for children, and to expose the community to performances that they might otherwise not have a chance to see. Please let us know if you have any ideas for future shows.
If you would like to make a tax-deductible gift to help the William H. Gile Trust continue to provide free concerts for years to come, please contact Deno Mokas in the Citizen’s Bank Trust Department at (603) 634-7737.
We are proud to welcome all types of concerts to our stage. Occasionally during a performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not enforce a “must-sit” policy at concerts. For most concerts this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.
We do not have a “no standing” policy and, in most situations, will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.
Processing and convenience fees are standard in the performing arts industry, but since the Capitol Center for the Arts handles ticket sales independently, our fees are much lower than the average fee you’ll find with theatres using third party ticketing companies. A variable per ticket convenience fee will be added to every order purchased online or by phone. You are not charged this per ticket fee when purchasing in person at the Box Office. These fees help to cover the cost of operating the theatre, as well as administrative and box office staffing, credit card fees charged by merchant services, ticketing software, 24/7 ordering via our website, postage, computer and telephone systems, utilities and supplies.
Refunds or exchanges are not permitted for any tickets purchased unless the show cancels. Please do not purchase a ticket unless you are sure that you can attend. Members of the Capitol Center for the Arts may exchange tickets for credit toward future events. Tickets must be presented to the box office during business hours at least 24 hours prior to the event. Tickets that are part of a VIP, Meet and Greet, or group/subscription discount package may not be eligible for ticket insurance.