In celebration of The Beatles 50th Anniversary of the White Album, Flower Power Concerts, Inc presents It Was Fifty Years Ago Today – Tour 2019 – A Tribute To The Beatles’ White Album feat. Christopher Cross, Todd Rundgren, Micky Dolenz (The Monkees), Jason Scheff (Chicago) and Joey Molland (Badfinger)! Musical Director: Joey Curatolo (the musical director of RAIN: A Tribute to The Beatles). The musical artists will be performing their greatest hits, along with songs from the White Album.
Christopher Cross is an American singer-songwriter from San Antonio, Texas. Cross won five Grammy Awards for his eponymous debut album released in 1979. The singles “Sailing” (1980), and “Arthur’s Theme (Best That You Can Do)” (from the 1981 film Arthur) peaked at number one on the U.S. Billboard Hot 100. “Sailing” earned three Grammys in 1981, while “Arthur’s Theme” won the Oscar for Best Original Song in 1981 (with co-composers Burt Bacharach, Carole Bayer Sager, and Peter Allen).
Todd Rundgren, born and raised in Philadelphia, began playing guitar as a teenager, going on to found and front Nazz, the quintessential 1960’s psychedelic group. In 1969, he left the band to pursue a solo career, recording his debut offering, Runt. But it was 1972’s seminal Something/Anything?, on which he played all the instruments, sang all the vocal parts, and acted as his own producer, that catapulted Todd into the superstar limelight, prompting the press to unanimously dub him “Rock’s New Wunderkind.” It was followed by such landmark LPs as A Wizard, A True Star and The Hermit of Mink Hollow, as well as such hit singles as “I Saw The Light, “Hello It’s Me,” “Can We Still Be Friends,” and “Bang The Drum.”
Micky Dolenz is an actor, singer, director, producer, writer, radio DJ, inventor, and all-around performer extraordinaire, and stands tall as a paragon of taste and accomplishment in the rough-and-tumble world of show business and entertainment. Micky is best known as a vocalist and drummer of the 1960s pop legends The Monkees. The Monkees not only achieved great success as a TV show, but also as viable recording artists; selling in excess of 65 million units, and achieving worldwide success. Their first four albums – The Monkees (1966); More of The Monkees (1967); Headquarters (1967); and Pisces, Aquarius, Capricorn, & Jones, Ltd. (1967) all reached the number-one position on the charts and launched three number-one singles: “Last Train to Clarksville,” “I’m a Believer” (both with lead vocals by Micky), and “Daydream Believer.” The group’s first five albums also went platinum.
Jason Scheff is the longtime tenor lead vocalist of the Rock and Roll Hall of Fame inducted supergroup Chicago. Scheff joined the group in 1985 replacing the iconic vocalist/bass player Peter Cetera going on to be one of the principal songwriters and main contributors throughout Chicago’s career. Scheff’s songwriting, vocals, and musicianship helped create the most successful recording era of Chicago, the 1980s and 1990s. Scheff is also the voice across 4 decades, 1980s, 1990s, 2000s, 2010s, performing all the classic Chicago hits in thousands of concerts, television appearances.
Joey Molland is an English composer and rock guitarist whose recording career spans five decades. He is best known as guitarist, singer and songwriter of classic rock legends Badfinger. Molland is the last surviving member from the band’s classic line-up and is still playing concerts worldwide. He is currently recording a new solo album produced by Mark Hudson.
We are proud to welcome all types of concerts to our stage. Occassionally during a performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not enforce a “must-sit” policy at concerts. For most concerts this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.
We do not have a “no standing” policy and, in most situations, will allow guests to stand even if they block the view of the stage for other guests. If your view is ever blocked by a standing or dancing guest, please contact an usher and we’ll attempt to find alternative seating.
Processing and convenience fees are standard in the performing arts industry, but since the Capitol Center for the Arts handles ticket sales independently, our fees are much lower than the average fee you’ll find with theatres using third party ticketing companies. A variable per ticket convenience fee will be added to every order purchased online or by phone. You are not charged this per ticket fee when purchasing in person at the Box Office. These fees help to cover the cost of operating the theatre, as well as administrative and box office staffing, credit card fees charged by merchant services, ticketing software, 24/7 ordering via our website, postage, computer and telephone systems, utilities and supplies.
Refunds or exchanges are not permitted for any tickets purchased unless the show cancels. Please do not purchase a ticket unless you are sure that you can attend. Members of the Capitol Center for the Arts may exchange tickets for credit toward future events. Tickets must be presented to the box office during business hours at least 24 hours prior to the event. Tickets that are part of a VIP, Meet and Greet, or group/subscription discount package may not be eligible for ticket insurance.